![]() ![]() Zimmer reunited many key members of his original “Lion King” team, including conductor Glennie-Smith, orchestrator Bruce Fowler, arranger Mark Mancina and, perhaps most significantly, vocalist and African music consultant Lebo M. In fact, when he played a seven-minute suite from the score live at Coachella in 2017, he found himself “extraordinarily moved” by the crowd reaction, which, he says, “made me realize not only was there something to it, there was something great about performing it.” “I always thought ‘The Lion King’ brought people together,” Zimmer says a few weeks later via phone from London. Twenty-four years ago, Zimmer won an Oscar for his score for the original animated version of “ The Lion King.” Since then, he has written such influential scores as “Gladiator,” “The Dark Knight” and “Inception” - yet when Favreau asked him to re-create his music for Disney’s elaborate new version, and to supervise production of all the Elton John-Tim Rice songs (one of which, “Can You Feel the Love Tonight,” also won one of those 1994 Oscars), he couldn’t say no. As the ensemble finishes playing cue 5M31, Hans tells conductor Nick Glennie-Smith, “I like the feel - one more time, from the beginning,” while Jon Favreau, director of this new, all-computer-imagery “Lion King,” says simply, “That was pretty cool, Hans.” On the giant screen behind the orchestra, two lions are bounding across the African veldt. He’s wearing a vintage “Lion King World Tour” T-shirt, frayed at the collar. ![]() Composer Hans Zimmer is seated at the mixing board at the Sony scoring stage, head bobbing to the music being performed by 107 musicians just a few yards away. ![]()
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